Color for Science, Art and Technology, Volume 1 (AZimuth)
The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. Get and download textbook Color for Science, Art and Technology, Volume 1 (AZimuth) for free
In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fu Color for Science, Art and Technology, Volume 1 new edition
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AZimuth, Volume 1: Color for Science, Art and Technology - K. Nassau
*** VINTAGE ENGINEERING BOOK ***
- 1949 TEXTBOOK OF WOOD TECHNOLOGY ~ VOL. 1 ~ STRUCTURE, INDENTIFICATION, DEFECTS
- AND USES OF THE COMMERCIAL WOODS OF THE UNITED STATES
- by HP BROWN ~ AJ PANSHIN ~ CC FORSAITH
- FIRST EDITION ~ SECOND IMPRESSION
- GUARANTEED 100% AUTHENTIC
- COPYRIGHT 1949 by MCGRAW-HILL COMPANY, INC.
- 652 PAGES
- MEASUREMENTS: 6.375" x 9.25"
- CONDITION GRADES: ACCEPTABLE
- CONDITION NOTES: THE COVER'S CORNERS AND EDGES HAVE WEAR. HAS AN OWNER'S ADDRESS ON THE FIRST PAGE. THERE IS BLACK MARKER MARKING OUT NAVY STATION STAMPS ON THE INSIDE LINING AND THE TITLE PAGE. THE BAC
- 1949 TEXTBOOK OF WOOD TECHNOLOGY ~ VOL. 1 ~ STRUCTURE, INDENTIFICATION, DEFECTS
- AND USES OF THE COMMERCIAL WOODS OF THE UNITED STATES
- by HP BROWN ~ AJ PANSHIN ~ CC FORSAITH
- FIRST EDITION ~ SECOND IMPRESSION
- GUARANTEED 100% AUTHENTIC
- COPYRIGHT 1949 by MCGRAW-HILL COMPANY, INC.
- 652 PAGES
- MEASUREMENTS: 6.375" x 9.25"
- CONDITION GRADES: ACCEPTABLE
- CONDITION NOTES: THE COVER'S CORNERS AND EDGES HAVE WEAR. HAS AN OWNER'S ADDRESS ON THE FIRST PAGE. THERE IS BLACK MARKER MARKING OUT NAVY STATION STAMPS ON THE INSIDE LINING AND THE TITLE PAGE. THE BAC
CONTENTS - INTRODUCTION - 1. BASIC CONSIDERATIONS - Solutions-Suspensions-Emulsions-Surface Activity - 2. PROPERTIES OF EMULSIONS - Particle size and arrangement; Rheology; Micelle Theory; Stability and Interfacial Phenomena; Causes of Unstable Emulsions - 3. INGREDIENTS AND ADDITIVES - Surfactants-Emulsifying Agents; Wetting Agents; Foamers; Protective Colloids; Preservatives - 4. ANALYSIS AND TESTING OF EMULSIONS - Type of Emulsion; Density; Viscosity; Surface Tension; Particle Size; Water; PH-Color OdorCorrosion; Stability; Performance; Analytical Procedures; ASTM Specifications - 5. TECHNI
Written by G. Willow Wilson; Art by MK Perker Mature Readers 144 pages, soft cover, full color Collecting the story that started it all, from AIR #1-5! Blythe knew there was no time like the present more dangerous to be an airline stewardess, but the skies might be much more dangerous than anyone imagines. She's just learned of the Etesian Front - vigilantes dedicated to take the skies back from terrorism - and they're after Zayn, a man she's just met. Whether he's an average frequent flier or a terrorist, finding out will lead Blythe to discover the weird science of hyperaxis and the mysterio
Color for Science, Art and Technology, Volume 1 Textbook
In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable
n this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fu
